...his career, and worked in a number of ensembles. He co-founded [[Milestone Records]] in 1966 with [[Orrin Keepnews]]. |[[Atlantic Records|Atlantic]]

...orley was a fan of dance music before being able to read the labels on the records, listening notably to [[w:Jack Payne (bandleader)|Jack Payne]] and [[w:Henr ...e Wally Stott Chorale" respectively.<ref name=":4" /> She also worked with artists such as [[w:Noël Coward|Noël Coward]] and [[w:Dusty Springfield|Dusty Spr

...me came from record producer [[Wally Ridley]], who also produced Bygraves' records during the 1950s.<ref name=leigh/> ...edleys of familiar songs aimed at an older audience. The albums, for [[Pye Records]], sold millions of copies and led to spinoff shows and more recordings.<re

...lasted only a week. Returning to [[Brighton]], he saw an advertisement for artists to join Jack Sheppard's concert party in an alfresco theatre on Brighton be ...hem. In 1953, he changed to [[Philips Records|Philips]], and then to [[Pye Records|Pye]].

...s "Pink Panther" films. The film was a critical failure. [[MGM]], [[United Artists]], and film director [[Blake Edwards]] were successfully sued by Sellers' w * Label: [[Philips Records|Philips]]

...out the possibility of releasing editions of The Goon Show on long-playing records, and as early as Friday 29 May, John Browell was corresponding with regards ...gs for Swingin' Lovers!). Working again with Wally Stott, Harry recorded a Philips' Christmas single. The Holy City was released in November along with the LP