'''''Twenty to One''''' was a British musical comedy first performed in 1935. The musical was a farce set around the world of [[horseracing]]. Bill Snib [[Category:1935 musicals]]

...]] working as director in several [[Broadway theatre|Broadway]] operettas, musicals and dramas for the [[Shubert family]]. This was followed by a move to [[Hol *''[[I Give My Heart]]'' (1935) – Director

...[[principal boy]] in [[pantomime]]. Her best-remembered roles were in the musicals ''[[No, No, Nanette]]'' (1925) and ''[[Mr. Cinders]]'' (1929), in which she ...wn for her vivacity, and able to sing leading roles in operetta as well as musicals and [[revue]].<ref name=Green>Green, Stanley. [https://books.google.com/boo

| birth_date = 12 July 1935 | death_date = {{death date and age|2017|6|1|1935|7|12|df=yes}}

| spouse = {{marriage|[[Errol Flynn]]|1935|1942|end=divorced}}<br>{{marriage|Allen Loomis|1962|1983|end=divorced}} ...arried Bess Meredyth"}}</ref> she married unknown actor [[Errol Flynn]] in 1935 and retired from the screen. Flynn soon became one of Hollywood's biggest b

*''The Vicar in Hell'' (London, Skeffington & Son, 1935) *''Eleven Twenty-Seven'' [as Neil Carruthers] (London, Rich & Cowan, 1935)

| death_date = {{death date and age|1935|6|6|1874|5|11|df=y}} '''George Grossmith Jr.''' (11 May 1874 – 6 June 1935) was an English actor, theatre producer and [[Actor-manager|manager]], dire

After Cambridge, he earned recognition and fame performing in musicals and light comedies.<ref name="odb">D. Pepys-Whiteley, [http://www.oxforddnb ...'The Ghost Train'' (1931), ''Love on Wheels'' (1932) and ''Bulldog Jack'' (1935), a tongue-in-cheek homage to the popular ''[[Bulldog Drummond]]'' films in

...oadway and the West End and took roles in several [[musical film|Hollywood musicals]], including ''[[The Band Wagon]]'' (1953), his best-known film, in which h ...1935 film)|Brewster's Millions]]'' (1935), ''[[Come Out of the Pantry]]'' (1935), ''[[When Knights Were Bold (1936 film)|When Knights Were Bold]]'' (1936),

| years active = 1935 – 1948 Black specialized in making comedies, thrillers and low-budget musicals.<ref name="ted"/> He had a lot of success making comedy vehicles for stars

...ish troops abroad. Henson's postwar stage success continued in [[revue]]s, musicals and plays, including a West End adaptation of ''[[The Diary of a Nobody]]'' ...sing Time]]'' (1919), ''[[Sally (musical)|Sally]]'' (1921) and a string of musicals at the [[Gillian Lynne Theatre|Winter Garden Theatre]], including ''[[A Nig

...record#Stereophonic sound|stereophonic LP]]. He mainly recorded songs from musicals and revues, and he recited many monologues on various subjects.<ref name="G |1935

...returned to London and found success in the [[West End theatre|West End]] musicals at the [[New London Theatre|Winter Garden Theatre]], including ''[[Kissing ...Stanley Holloway in Pantomime", ''[[The Manchester Guardian]]'', 1 January 1935, p. 10</ref> playing it in successive years in [[Leeds]], London, Edinburg

In the 1950s, Courtneidge's career turned from musicals to straight theatre and revue. In London and on tour she played in the revu *1935: ''[[Me and Marlborough]]'' – Kit Ross

...ng and acting career, finding success in two [[West End theatre|West End]] musicals at the [[New London Theatre|Winter Garden Theatre]]. Later that month, he c ...Stanley Holloway in Pantomime", ''[[The Manchester Guardian]]'', 1 January 1935, p. 10</ref> but he quickly became established as a favourite in his role,

...ion to [[Second World War|war-torn]] London audiences with her lightweight musicals, comedies and historical dramas. Almost all of her films were produced and | 1935

| birth_date = {{birth date|1935|5|17|df=y}} | death_date = {{death date and age|df=yes|1994|6|7|1935|5|17}}